The broader social relationships of objects in which they become corporeal, gendered, anthropomorphized, and fetishized are all points of access for me. In my recent works, I have investigated seductive ephemera and display methods associated with arcades, amusement parks, and department stores. I enjoy the immediate pleasure these kinds of ephemera provide. Humor, the absurd and banal, and intuitive ways of knowing are important to the process and content of my work. These methods deviate from the established forms of knowledge that institutions of higher learning validate as relevant and important.